Juan Carreño de Miranda
Juan Carreño de Miranda | |
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![]() Statue of Juan Carreño de Miranda, in Avilés | |
Born | Juan Carreño de Miranda |
Nationality | Spanish |
Known for | Painting |
Juan Carreño de Miranda (Avilés, March 25, 1614 - Madrid, October 3, 1685) was a Spanish painter of the Baroque period.
Born in Avilés in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolomé Roman. He came to the notice of Velázquez for his work in the cloister of Doña María de Aragón and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcázar of Madrid, which was destroyed in a fire in 1734. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cámara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid.
Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion. Most of his work are portraits of the royal family and court, though there are some altarpieces, early works commissioned mainly by the church.
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Portrait of Russian ambassador Pyotr Potemkin, 1681-1682
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Queen Mariana of Austria
References
- Madrazo, Pedro de (1872). Catálogo Descriptivo e Histórico del Museo del Prado de Madrid (Parte Primera: Escuelas Italianas y Españolas). Calle del Duque de Osuna #3; Original from Oxford University, Digitized May 1, 2007: M. Rivadeneyra. pp. 374–375.
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