Piqué, or marcella, refers to a weaving style, normally used with cotton yarn, which is characterized by raised parallel cords or geometric designs in the fabric.[1] Piqué fabrics vary from semi-sheer dimity to heavy weight waffle cloth.[1] Twilled cotton and corded cotton are close relatives.
![](http://178.128.105.246/cars-http-upload.wikimedia.org/wikipedia/commons/thumb/d/da/Skirt_in_cotton_marcella%2C_imitation_quilting%2C_1830-1840_%28cropped%29.jpg/220px-Skirt_in_cotton_marcella%2C_imitation_quilting%2C_1830-1840_%28cropped%29.jpg)
Name
editThe name piqué is derived from the French word Piquer, meaning 'quilt'; late 18th-century piqué fabrics were considered to imitate a hand-made quilt.[2]
Piqué weave
editThe weave is closely associated with white tie, and some accounts[which?] even say the fabric was invented specifically for this use. It holds more starch than plain fabric, so produces a stiffer shirt front; piqué shirts would go on to replace earlier plain-weave fronts, which remain a valid alternative. Use of piqué then spread to other parts of formal dress code, and it is now the most common fabric used in the tie and waistcoat of white tie dress.
Piqué weaving
editPiqué weaving was developed by the Lancashire cotton industry in the late 18th century as a mechanised technique of weaving double cloth with an enclosed heavy cording weft.[citation needed] It was originally used to make imitations of the corded Provençal quilts made in Marseille, the manufacture of which became an important industry for Lancashire from the late 18th to the early 20th century.[citation needed] The term "marcella", another name for piqué, is one of a number of variations on the word "Marseille".[3]
Fabrics
editWoven piqué
editPiqué fabrics are a type of dobby construction. Piqués may be constructed in various patterns such as cord, waffle, honeycomb and birdseye. These fabrics require the addition of extra yarns, called stuffer yarns. These stuffer yarns are incorporated into the back of the fabric to give texture and added depth to the fabric design. Some piqués may be made using the Jacquard attachment on the loom. Although made of 100% cotton today, cotton-silk blends and even pure silk versions were made in the past and in a variety of weaves. [4]
Knitted piqué
editPiqué knit is a double knit that forms a structure with pronounced wales. The knit type is possible with warp and weft, both knitting techniques. The texture is used in polo shirts.[5][6]
Structure
editKnitted piqué has a grained surface on the face and plain single jersey on the other side. The construction is open and prone to shrink more than single jersey. The knit can produce many variants such as single pique, double pique and more; it is also known as Lacoste piqué for the company's use of the fabric in its signature polo shirts.[7][8][9]
References
edit- ^ a b Nielson, Karla J. (2007-07-10). Interior Textiles: Fabrics, Application, and Historic Style. John Wiley & Sons. ISBN 9780471606406.
- ^ Montgomery, Florence M. (1984). Textiles in America 1650-1870 : a dictionary based on original documents, prints and paintings, commercial records, American merchants' papers, shopkeepers' advertisements, and pattern books with original swatches of cloth. Internet Archive. New York ; London : Norton. p. 324. ISBN 978-0-393-01703-8.
- ^ Atkins, Jacqueline M. (2001), "From lap to loom: The transition of Marseilles white work from hand to machine", The Chronicle of the Early American Industries Association, Inc, retrieved 2010-05-02
- ^ Davis, Rebecca; Tuntland, Carol (1996). The Textiles Handbook. Plycon Press. ISBN 9780916434113.
- ^ Reichman, Charles (1961). Double Knit Fabric Manual. National Knitted Outerwear Association. pp. 75–147. ISBN 978-0-598-48380-5.
- ^ The Indian Textile Journal. Indian Textile Journal Limited. 2013. p. 108.
- ^ Bixler, Susan; Nix-Rice, Nancy (1997). The New Professional Image: From Business Casual to the Ultimate Power Look. Adams Media. p. 143. ISBN 978-1-55850-729-6.
- ^ The Bulletin. J. Haynes and J.F. Archibald. March 1993. p. 72.
- ^ Schwartz, Peter (2019-08-15). Structure and Mechanics of Textile Fibre Assemblies. Woodhead Publishing. p. 106. ISBN 978-0-08-102769-1.