Joseph Marie Alphonse Nicolas Jongen (14 December 1873 – 12 July 1953) was a Belgian organist, composer, and music educator.
Joseph Jongen | |
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![]() Photograph of Jongen later in life | |
Born | Joseph Marie Alphonse Nicolas Jongen 14 December 1873 |
Died | 12 July 1953 | (aged 79)
Education | Liège Conservatoire |
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Biography
editJongen was born in Liège, where his parents had moved from Flanders. He was the elder brother of Léon Jongen. On the strength of his precocity for music, he was admitted to the Liège Conservatoire at the young age of seven, and spent the next sixteen years there. Jongen studied composition with Jean-Théodore Radoux. In 1892 he was awarded the gilt medal in the piano competition, and later that same year he joined the organ class of Charles-Marie Danneels. He won a First Prize for Fugue in 1895, an honors diploma in piano the next year, and another for organ in 1896.[1]
Jongen has been composing since the age of 13, and by the time he published his opus 1 - the Concerto Symphonique (1892) - he already had dozens of works to his credit. His opus 3, the monumental and massive First String Quartet, was composed in 1894 and was submitted for the annual competition for fine arts held by the Royal Academy of Belgium, where it was awarded the top prize by the jury.[1]
In 1897, he won the Belgian Prix de Rome, which allowed him to travel to Italy, Germany and France over a four year period, during which (among many others) he encountered Richard Strauss, Vincent D'Indy and Florent Schmitt.[1] In 1902 he returned to Belgium and in 1903 he was named a professor of harmony and counterpoint at his old Liège college. With the outbreak of World War I, he and his family moved to England, where he founded a piano quartet with violinist Désiré Defauw, violist Lionel Tertis, and cellist Émile Doehaerd.[2][3] His String Quartet No 2, op. 50, was composed there in 1916.[4] When peace returned, he came back to Belgium and was named professor of fugue at the Royal Conservatory of Brussels. From 1925 until 1939, he served as director of that institution; he was succeeded by his brother Léon Jongen.
Fourteen years after leaving the directorship, Joseph Jongen died at Sart-lez-Spa, Belgium.[1]
Compositions
editFrom his teens to his seventies Jongen composed a great deal, including symphonies, concertos (for cello, for piano and for harp), chamber music (notably a late string trio and three string quartets), and songs, some with piano, others with orchestra. (His list of opus numbers eventually reached 241, but he destroyed many pieces, leaving 137 in the official catalogue.)[5][6] Today, the only part of his oeuvre performed with any regularity is his output for organ, much of it solo, some of it in combination with other instruments.[7]
The early works were influenced by César Franck and his school. Lord Berners, in the short essay he wrote on Jongen for publishers J & W Chester in 1922, praises the String Quartet No 2 (1916) for its blend of "purity of form, beauty of writing and emotional appeal", and the 1918 Suite en forme de Sonate for piano as "a delightful example of modern music based on old forms".[8]
His monumental Symphonie Concertante, op. 81 of 1926 is a tour de force, considered by many to be among the greatest works ever written for organ and orchestra.[9] Numerous eminent organists of modern times (such as Virgil Fox, Alexander Frey, Jean Guillou, Michael Murray, Diane Meredith Belcher and Olivier Latry) have championed and recorded it. The work was commissioned by Rodman Wanamaker for debut in the Grand Court of his palatial Philadelphia department store, Wanamaker's. Its intended use was for the re-dedication of the world's largest pipe organ there, the Wanamaker Organ, as part of a series of concerts Rodman Wanamaker funded with Leopold Stokowski and the Philadelphia Orchestra. Wanamaker's death in 1928 precluded the performance of the work at that time in the venue for which it was written, but it was finally performed for the first time with the Wanamaker Organ and the Philadelphia Orchestra on 27 September 2008.
In 1945, Jongen composed the Mass, Op. 130, for choir, brass and organ, in memory of his brother Alphonse.
Honours
edit- 1919: Officer of the Order of Leopold.[10]
- 1932 : Commander of the Order of Leopold.[11]
- 1934 : Grand Officer in the Order of Leopold II.[12]
- Member of the Royal Academy of Science, Letters and Fine Arts of Belgium
References
edit- ^ a b c d John Scott Whiteley. 'Jongen, (Marie Alphonse Nicolas) Joseph', in Grove Music Online (2001)
- ^ 'Joseph Jongen, Belgian composer', Britannica
- ^ Franz Hellers. 'Belgian Music in London' in The Musical Times, Vol. 56, No. 863 (January 1915), p. 38
- ^ 'Jongen. String Quartet No. 2 in A major', Earsense
- ^ List of works by Joseph Jongen, IMSLP
- ^ The Harvard Biographical Dictionary of Music (1996), p. 428
- ^ John Scott Whiteley. 'Jongen and his Organ Music', in The Musical Times, Vol. 124, No. 1681 (March 1983), pp. 189-192
- ^ Joseph Jongen, J & W Chester Miniature Essays series (1922)
- ^ "Symphonie concertante". www.laphil.com.
- ^ Royal Order of H.M. King Albert I on 14.11.1919
- ^ Royal Order of 8.4.1932
- ^ Royal Order of 16.2.1934
Some of the information on this page appears on the website of Edition Silvertrust but permission has been granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License.
External links
edit- Worklist
- Les Amis de Joseph Jongen
- Joseph Jongen String Quartet Nos.1 & 2, Opp.3 & 50 & Piano Trio No.1, Op.10 Soundbites and short biography.
- Koninklijk Conservatorium Brussel and Conservatoire royal de Bruxelles now houses most works and manuscripts of Jongen, after the bankruptcy of CeBeDeM in 2015.
- Free scores by Joseph Jongen at the International Music Score Library Project (IMSLP)
- Joseph Jongen. Petit Prélude (1937). Andrew Pink (2021) Exordia ad missam.