The Adamant Girl

The Adamant Girl
Theatrical release poster
Directed by	P. S. Vinothraj
Screenplay by	P. S. Vinothraj
Produced by	Sivakarthikeyan Kalai Arasu
Starring	Soori Anna Ben
Cinematography	B. Sakthivel
Edited by	Ganesh Siva
Production companies	SK Productions The Little Wave Productions
Release dates	16 February 2024 (2024-02-16) (Berlinale) 23 August 2024 (2024-08-23) (India)
Running time	100 minutes
Country	India
Language	Tamil

The Adamant Girl (Tamil: Kottukkaali) is a 2024 Indian Tamil-language film directed by P. S. Vinothraj and produced by SK Productions. The film, which revolves around Meena who loves a man from a lower caste but her family thinks she is possessed and cast the spell out of her, stars Soori and Anna Ben (in her Tamil debut).^[1]

The film was selected in the Forum section at the 74th Berlin International Film Festival and was screened on 16 February 2024.^[2][3][4] It was released on 23 August 2024 to critical acclaim.^[5]

Paandi, Meena's maternal uncle, returns from abroad after several years, intending to marry her. However, Meena is resolute in her love for a boy from an oppressed caste, which her family attributes to a spell. To exorcise this perceived influence, Paandi, accompanied by his parents, relatives, and friends, embarks on a journey to consult a seer. Before meeting the seer, they visit their family deity to perform rituals. En route, they face various challenges, including a malfunctioning autorickshaw, Karthi's need to use the restroom, and Rani's menstrual cramps. They also witness a puberty ceremony procession, which reminds Paandi of his past efforts, and the infuriated Paandi attacks and beats Meena for humming a song. He lashes out at his relatives, including Meena's mother, Shanti, and father, Murugan, as well as the auto driver, Suresh, and even physically assaults his father. However, he later apologizes to Murugan. Meanwhile, Siva and Mani, who are following the group, divert to a wine shop, where they discuss Meena's fidelity and speculate that she might be pregnant, which they believe explains her adamant desire to marry the boy she loves. A bull crosses their path, only to be led away by a young girl who claims it as her sole companion. The rooster, destined for sacrifice, tries to escape but fails. Meena has a vision of herself walking freely with untied hair. Upon arriving at the seer's residence in Palamedu, Paandi observes another girl, similar in age to Meena, being cured of a spell causing her infertility. The seer performs rituals, including stroking the girl's navel, and neck, and blowing air into her mouth, claiming to have removed tiny voodoo balls and freed her from the spell. Unable to bear witness to this, Paandi leaves the premises and, when called, unwillingly returns. The screen fades to black with the message "The end of this journey is in your hands."

• Soori as Paandi
• Anna Ben as Meena
• Poobalam Pragatheeswaran as Paandi's father
• Sai Abinaya as Rani, Paandi's sister
• Jawahar Sakthi as Kumar
• Mullaiyarasi as a girl being treated by the seer

In January 2023, Sivakarthikeyan was announced to fund a new project under SK Productions, starring Soori in the lead role with PS Vinothraj directing it in his sophomore film after Pebbles (2021).^[6] The following March, the company made a public announcement, confirming the project, and the film's official title, Kottukkaali, was announced the same day.^[4] The film is jointly produced by Sivakarthikeyan Productions and The Little Wave Productions. The cinematography is handled by B Sakthivel, and editing by Ganesh Siva. Filming was completed in May 2023.^[7]

The Adamant Girl had its world premiere on 16 February 2024, at the 74th Berlin International Film Festival. The film was presented in the Forum section of the festival.^[8][9] The film was theatrically released on 23 August 2024.

The Adamant Girl received positive reviews from critics praising Vinothraj's direction and the performances of the lead cast,particularly Soori and Anna Ben.

Victor Fraga’s review on DMovies gives the film a rating of 3.5 out of 5 stars. He characterises it as "a funny and peculiar little dramedy about female empowerment." This indicates that the film offers a unique blend of humor and drama, centred around themes of female empowerment, which Fraga finds commendable. However, he also mentions that the film "could have done with a little more polishing." This implies that while the film has promising elements and engages with important themes effectively, it falls short in some areas. The need for additional refinement suggests that aspects such as the storyline, character development, or overall production quality might not be fully realised, impacting the film's overall effectiveness and appeal.^[10]

Praising the direction and the performances of the lead actors,Latha Srinivasan of Hindustan Times wrote,"PS Vinothraj is a master storyteller. who has supreme control over his craft and the characters he presents to us on screen. Meena is someone, who has just one dialogue in the film and her entire story is told through her expressions and emotions. For her, silence is power, and through this she retreats into a world that no one else can break into. She is trapped and the director depicts this using the rooster that thinks it roams free yet it is caught in a trap.On the other hand, Pandi is a typical, petty yet aggressive, entitled male who epitomises patriarchy and the belief that women are objects that are owned. Caste plays a key role here as well as regressive beliefs that keep women in check. Unfortunately, the women also perpetuate these regressive beliefs because they don’t know any better or anything different. We see how the men think they are all-knowing and can’t get a simple thing done, like deal with the fly, and how the women are smarter by comparison."^[11] Gopinath Rajendran in his review for The Hindu wrote,"Apart from an intriguing plot accented by a terrific supporting cast, it is Anna Ben and Soori’s career-best performances that elevate Kottukkaali into one of this year’s best films. Both their characters have to carry the burden of resentment and exasperation, a product of multiple quarrels that would have unfolded before the film’s happenings, which explains the wrath of Pandi and why Meena is the ‘kottukkaali’, the adamant one. With just one piece of dialogue in the entire film, Anna pulls off the steadfast nature and unwavering spirit of Meena admirably; Vinothraj shows how she always has a way of getting things to work, with a quick shot of her loose ring that’s made to fit by looping a little thread through it. On the other side, Soori is anger personified as the black-shirted Pandi whose volatile nature comes to the fore for the smallest of things. Without being pompous about its themes, Kottukkaali excels at showcasing a day in the life of a dysfunctional family doused with patriarchal norms. While the open-ended climax might feel divisive, it also opens a realm of possible outcomes that the filmmaker generously lets us pick one from. In an industry where directors suffer from the sophomore curse, Vinothraj delivers a more well-rounded second film, and proves that he’s here to stay... and win." ^[12] Sudhir Srinivasan of Cinema Express wrote,"This film is even without that most obvious tool of manipulation: Music. I loved the film for employing no music. In this film about the torment of Meena, music would have felt exploitative. It would have been an obvious directorial ploy to have you react one way or another, but in its present form, Kottukkaali simply takes your hand and walks you around for a few hours with the family of Pandi and Meena—without telling you how you ought to feel."^[13] Bharathy Singaravel of The News Minute gave a positive review writing,"Apart from a few small hiccups, Kottukkaali takes audiences on a winding ride across the arid fields and dusty highways of Madurai towards another more pressing destination: introspection regarding words like ‘culture’ or ‘community’ and what they mean apart from power."^[14] Writing for India Today,Janani K rated the film 4/5 mentioning,"Kottukkaali is easily the film of the year and director PS Vinothraj is slowly turning out to be a filmmaker you cannot ignore."^[15]

• The Adamant Girl at IMDb 
• The Adamant Girl at Berlinale