In Defense of Hate-Watching
In a world of infinite media, why do we watch bad TV?
By Kate LoPresti, Elyssa Dudley, Wendy Dorr, Sophia Lanman, Alissa Wilkinson, Jason Zinoman and Margaret Lyons
In a world of infinite media, why do we watch bad TV?
By Kate LoPresti, Elyssa Dudley, Wendy Dorr, Sophia Lanman, Alissa Wilkinson, Jason Zinoman and Margaret Lyons
The critic Wesley Morris and the writer Rembert Browne on A3K’s jazz flute album.
By Wesley Morris, Elyssa Dudley, Kate LoPresti, Wendy Dorr, Paula Szuchman and Carole Sabouraud
Our reporter on the federal case against the hip-hop mogul.
By Alex Barron, Wendy Dorr, Rowan Niemisto, Melissa Kirsch and Ben Sisario
Why watching older people fall in love just feels more … real.
By Kate LoPresti, Sara Curtis, Wendy Dorr, Efim Shapiro, Minju Pak, Callie Holtermann and Gina Cherelus
From “The Bear” to “Baby Reindeer,” our guide to TV’s big night.
By John White, Kate LoPresti, Wendy Dorr, Rowan Niemisto, Jeremy Egner and John Koblin
Hilarious and tender, he was ahead of his time.
By Sara Curtis, Wendy Dorr, Elisabeth Egan and Diane Wong
Her new album brings Amelia Earhart’s tragic final flight to life.
By Sara Curtis, Frannie Carr Toth, Wendy Dorr, Jon Pareles and Pat McCusker
The less intense bonds you didn’t know you needed.
By Alex Barron, Wendy Dorr, Paula Szuchman, Rowan Niemisto, Melissa Kirsch and Lisa Miller
The singer’s new album is smart, sly and filled with fury, our critic says.
By Kate LoPresti, Frannie Carr Toth, Wendy Dorr, Diane Wong and Jon Pareles
Inside the Edinburgh Festival Fringe
By John White, Kate LoPresti, Wendy Dorr, Diane Wong and Alex Marshall
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