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Princess Mononoke was nominated as a Media and drama good article, but it did not meet the good article criteria at the time (April 7, 2020). There are suggestions on the review page for improving the article. If you can improve it, please do; it may then be renominated.

Animation: Asian / Films High‑importance

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Reference ideas for Princess Mononoke

The following references may be useful when improving this article in the future:

Bigelow, Susan J. (March 2009). "Technologies of perception: Miyazaki in theory and practice". Animation. 4 (1). Sage Publications: 55–75. doi:10.1177/1746847708099740. ISSN 1746-8477. S2CID 146647853.
Clarke, James (May 2010). "Ecology and Animation: Animation Gone Wild: Bambi vs Princess Mononoke". Imagine. 31. Bristol: Wildfire Communications: 36–39. ISSN 1748-1244.
Delorme, Gérard (January 2000). "Princesse Mononoké". Premiere (in French) (275). Hachette Filipacchi Associés: 61–62. ISSN 0399-3698.
Doyle, Wyatt (December 1998). "Disney Turning Japanese". Asian Cult Cinema (21): 25–28.
Fitzpatrick, Michael (June 1997). "Front desk clips: manga mouse!". Empire (96): 30.
Génin, Bernard (January 12, 2000). "Princess Mononoke". Télérama (in French) (2609): 30.
Harrison, Genevieve (August 2000). "Mononoke hokey cokey". Empire (134). Bauer: 20.
Hazelton, John (November 12, 1999). "Animated English accent". Screen International (1234). EMAP: 8. ISSN 0307-4617.
Khoury, George (November 1999). "An interview with Neil Gaiman". Creative Screenwriting. 6 (6): 63–65. ISSN 1084-8665.
Kwong, Jack M. C. (2019). What is hope? European Journal of Philosophy 27 (1):243-254.
Vitaris, Paula (1999). "Princess Mononoke". Cinefantastique. 31 (4): 7. ISSN 0145-6032.
Leyland, Matthew (June 2006). "Princess Mononoke". Sight and Sound. 16 (6). British Film Institute: 90–91. ISSN 0037-4806.
Pedroletti, Brice (June 9, 2000). "L'animation d'auteur veut s'imposer au pays de Pikachu". Le Film Français (in French) (2382). Mondadori France: 15–17. ISSN 0397-8702.
Kim, Eunjung; Jarman, Michelle (April 2008). "Modernity's Rescue Mission: Postcolonial Transactions of Disability and Sexuality" (PDF). Canadian Journal of Film Studies. 17 (1): 52–68. doi:10.3138/cjfs.17.1.52. ISSN 0847-5911. Archived (PDF) from the original on July 30, 2013. Retrieved September 22, 2012.
Denison, Rayna (2005). "Disembodied stars and the cultural meanings of Princess Mononoke's soundscape" (PDF). Scope. 3 (1). Retrieved 2024-02-21.
Yoneyama, Shoko (2021). "Miyazaki Hayao's Animism and the Anthropocene". Theory, Culture & Society. 38 (7–8): 251–266. doi:10.1177/02632764211030550. ISSN 0263-2764.

The source for the Karma sub-section of the Theme section is in the text

Latest comment: 1 year ago1 comment1 person in discussion

While reading I noticed that in this part the source is in the text instead of cited. I wanted to fix it, but to be honest I don't know how. Could someone do it, or tell me how to? 190.100.118.81 (talk) 02:32, 23 July 2023 (UTC)Reply

"Mononoke hima" listed at Redirects for discussion

Latest comment: 9 months ago1 comment1 person in discussion

The redirect Mononoke hima has been listed at redirects for discussion to determine whether its use and function meets the redirect guidelines. Readers of this page are welcome to comment on this redirect at Wikipedia:Redirects for discussion/Log/2023 October 21 § Mononoke hima until a consensus is reached. —TechnoSquirrel69 (sigh) 02:01, 21 October 2023 (UTC)Reply

Wiki Education assignment: Writing Workshop

Latest comment: 3 months ago1 comment1 person in discussion

This article was the subject of a Wiki Education Foundation-supported course assignment, between 23 January 2024 and 3 May 2024. Further details are available on the course page. Student editor(s): Johanande, MeeseeksEverywhere (article contribs).

— Assignment last updated by Daniel Yu (talk) 19:09, 16 April 2024 (UTC)Reply

About the unreliable sources tag

Latest comment: 1 month ago1 comment1 person in discussion

Dani Cavallaro's publications have been designated as generally unreliable sources in this discussion at the reliable sources noticeboard. Citations to her work can be replaced with more high-quality ones or removed, and the tag can be taken off once complete. —TechnoSquirrel69 (sigh) 20:04, 6 June 2024 (UTC)Reply

Japanese souvenir program

Latest comment: 1 day ago1 comment1 person in discussion

The souvenir program I bought at a Japanese theater when the movie was released in 1997 contains a lot of information that is not well known outside of Japan. So, using it as a source, I have added some information from my area of interest. According to an interview with Hayao Miyazaki, He created the story assuming that Lord Asano was a venerable samurai (bushi) of kanrei status. He explains that this is evident from the fact that Asano is referred to in the play with the honorific title "Kubō". Miyazaki clearly states that the samurai under Asano are jizamurai. He explained how iron making with iron sand destroys the environment of the lower reaches of the river. He also explained that in a time when the distinction between samurai and farmers was blurred, it was natural that if an Iron Town was built in the mountains, there would be a conflict between the Iron Town and the farmers living downstream, and the jizamurai would invade the Iron Town. In the character introduction section on page 6, "Samurai" is listed, showing a scene of several mounted warriors chasing Ashitaka on a burned mountain ridge. They are described as "Unlike the nobushi, these men are fully armed and launch a well-organized attack." This means that the "Samurai" are different characters from the jizamurai and the nobushi. The nobushi are not specified where they appear in the movie. However, given the historical fact that the nobushi were armed peasants, I believe they are the marauders who appear in the scene where Ashitaka first demonstrates his supernatural archery ability through the power of a curse.--SLIMHANNYA (talk) 14:21, 27 July 2024 (UTC)Reply

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